The songs my mother sang to me were the first poems I heard as a child. The lyrics of many of those songs remain with me. I still sing them as I drive. Fill the dishwasher. Vacuum up the cats’ fur from the carpet.
My mom sang poetry; my dad recited it to me as nursery rhymes. I was “Mary, Mary, quite contrary,” who was asked, “How does your garden grow?” I was that rascal Jack, nimbly jumping over a candlestick.
My
grandmother was “Old Mother Hubbard [who] went to the cupboard to get her poor
dog a bone.” And that dog was Smokey with whom my grandmother lived, or
Kentucky, my young brother’s dog.
Songs,
nursery rhymes, and then in fifth grade the required memorizing of a new poem
each week: “The Owl and the Pussy Cat,” “Little Orphant Annie,” and “The Modern
Hiawatha,” which was by far my favorite and which I still delight in reciting
today—much to my listeners’ chagrin—some sixty-six years later.
Since those fifth grade days of being exposed to a wide
range of poetic language, I’ve read and responded to poems from poets of both the
past and the present. Two bloggers—Penny and Teresa Evangeline—have
introduced me to a number of contemporary poets who have enriched my life in
the past two years. Repeatedly poets reveal to me the light at the end of the
tunnel. More often they help me realize the deep down humanity and thirst for
goodness that is the essence of each of us.
And so today I want to tell you about Weeds, a book of poetry I’ve just completed by a blogger many of
you may know: McGuffy Ann Morris. I’ve had the book on my bedside table for over
a month now, picking it up each evening, reading a poem, and then considering what
it offers me: the truths about my own experience of life.
In Weeds, Morris offers
us the wisdom of the years she’s spent here on this planet we call Earth. It is
a wisdom hard won and for that reason treasured. She is both observer and muse.
Here are just three samples of her poetic observations:
From “Book”
Life
is an open book
Each
person a character
pasted
on a page of time.
From “Battle”
I
go back in time,
the
battlefield of memories.
I
need to recapture
Moments
lost, moments stolen,
Looking
for myself
As
I really am, not as you
Perceive
me to be.
From “Median”
Reflections
fade into shadows.
What
I once was has faded;
What
I am yet to be becomes clear.
I
did not choose to be here,
To
be a part of this.
Forever
now will I be both
Reflection
and shadow.
In Weeds, Morris
moves back and forth between the antipodes of life—from difficult to glorious. As
a reader I saw her struggles as well as her triumphs. And yet, as with all
poems that come from the depths of the human experience, I also found myself for
she presents the realities of our lifelong journey through time and space,
memory and experience.
The only slight hesitancy I had in reading Weeds is that I’ve come to enjoy unrhymed
poetry more than rhymed. Several of Morris’ poems rhyme and when I first read
them I found myself testing out the rhymes rather than reading for what the
poem had to offer me in terms of my own experience of life. But as soon as I
reread without stressing rhyme, I discerned the message that existed—for me—within
the poem.
That is, I believe, a sign of good poetry—that it speaks to
the human condition as each of us live out that condition in our own lives. I
encourage you to read Weeds and to
find yourself within its poems.
As Morris says on the book cover of Weeds, which I believe
is her anthem to life, “There comes a time to assess and to weed our lives, in
order to find value in the harvest. This book is a culmination of personal
lifetime experiences and observations. To each, their own.”